{"id":8500,"date":"2021-12-10T09:45:43","date_gmt":"2021-12-10T15:45:43","guid":{"rendered":"https:\/\/borderlessmag.org\/?p=7729"},"modified":"2022-01-04T21:22:17","modified_gmt":"2022-01-05T03:22:17","slug":"las-impresiones-de-carlos-barberena-son-testamentos-humanizadores-de-historias-de-inmigrantes","status":"publish","type":"post","link":"https:\/\/borderlessmag.org\/es\/2021\/12\/10\/las-impresiones-de-carlos-barberena-son-testamentos-humanizadores-de-historias-de-inmigrantes\/","title":{"rendered":"Las impresiones de Carlos Barberena son testamentos humanizadores de historias de inmigrantes"},"content":{"rendered":"<div id=\"fws_69eaadf45d6de\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-8 wpb_column column_container vc_column_container col padding-3-percent inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<p>Carlos Barberena se convirti\u00f3 en artista para mostrar al mundo qui\u00e9nes son su gente.<\/p>\n<p><strong><a href=\"https:\/\/borderlessmag.org\/es\/2021\/12\/08\/carlos-barberena-grabados-humanizan-historias-de-inmigrantes-artista-chicago\/\">Leer en ingl\u00e9s<\/a><\/strong><\/p>\n<p>El artista nacido en Nicaragua, y que actualmente vive en Chicago, crea grabados monocrom\u00e1ticos en lin\u00f3leo intrincadamente detallados que a menudo representan los problemas y experiencias de los migrantes de Am\u00e9rica Latina y Centroam\u00e9rica, como su peligrosa trayectoria a los Estados Unidos. <a href=\"https:\/\/www.carlosbarberena.com\/\">Sus obras dram\u00e1ticas<\/a> a menudo presentan dibujos de personas negras y morenas que forman parte de movimientos por la justicia, desde George Floyd hasta una mujer ind\u00edgena que protesta por el oleoducto Dakota Access, representada con el oleoducto serpenteando alrededor de su torso. Aunque a veces tiene un tono sombr\u00edo, los grabados de Barberena tambi\u00e9n utilizan la s\u00e1tira para invitar a las cr\u00edticas de la sociedad. En otras ocasiones, espera mostrar la humanidad de los migrantes y c\u00f3mo todos merecen una vida segura y saludable.<\/p>\n<\/div>\n\n\n\n<div class=\"templatera_shortcode\">\n\t\t<div id=\"fws_69eaadf45ec1c\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row vc_row-o-equal-height vc_row-flex vc_row-o-content-middle small\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone border_color_909090 border_style_solid\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t<div id=\"fws_69eaadf45f7e0\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row vc_row-o-equal-height vc_row-flex vc_row-o-content-middle large top_margin_20px bottom_margin_20px\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"true\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><div class=\"row-bg-overlay row-bg-layer\" style=\"background: #FFFFFF; background: linear-gradient(90deg,#FFFFFF 0%,#FFFFFF 100%);  opacity: 1; \"><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col padding-3-percent force-phone-text-align-center inherit_tablet inherit_phone border_top_desktop_1px border_bottom_desktop_1px border_color_FFFFFF border_style_solid\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div id=\"fws_69eaadf45ff00\" data-midnight=\"\" data-column-margin=\"default\" class=\"wpb_row vc_row-fluid vc_row inner_row vc_row-o-equal-height vc_row-flex vc_row-o-content-middle\"  style=\"\"><div class=\"row-bg-wrap\"> <div class=\"row-bg\" ><\/div> <\/div><div class=\"row_col_wrap_12_inner col span_12  left\">\n\t<div  class=\"vc_col-sm-7 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone\"   data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<h4 id=\"news-that-puts-power-under-the-spotlight-and-communities-at-the-center\"><strong>Noticias que ponen el poder en el punto de mira y a las comunidades en el centro.<\/strong><\/h4>\n<p>Suscr\u00edbase a nuestro bolet\u00edn gratuito y reciba actualizaciones dos veces por semana.<\/p>\n<\/div>\n\n\n\n\n\t\t<\/div> \n\t<\/div>\n\t<\/div> \n\n\t<div style=\"margin-top: -20px; \" class=\"vc_col-sm-5 wpb_column column_container vc_column_container col child_column neg-marg no-extra-padding inherit_tablet inherit_phone\"   data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t<div class=\"wpb_raw_code wpb_raw_html wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"_form_1\"><\/div><script src=\"https:\/\/borderlessmag.bluelena.io\/f\/embed.php?id=1\" charset=\"utf-8\"><\/script>\n\t\t<\/div>\n\t<\/div>\n\n\t\t<\/div> \n\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div><\/div><div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"fade-in\"  style=\"margin-top: 3%; margin-bottom: 3%; \">\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img decoding=\"async\" class=\"img-with-animation skip-lazy\" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"https:\/\/borderlessmag.org\/wordpress\/wp-content\/uploads\/2021\/12\/NO-DAPL-763x1024-1.jpg\" alt=\"\"  \/>\r\n         <\/div>\r\n      <\/div><span class=\"vc_figure-caption ccfic-text media-caption\">Carlos Barberena, NO DAPL, 2017, linograbado sobre papel<\/span><\/div><\/div>\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<p>El grabado se ha utilizado durante mucho tiempo para promover causas radicales y difundir la conciencia sobre los problemas sociales. Barbarena, quien se mud\u00f3 a los Estados Unidos en 2008, sigue esta tradici\u00f3n. Cita como influencia a K\u00e4the Kollwitz, grabadora expresionista alemana, quien retrata la dif\u00edcil situaci\u00f3n de la clase trabajadora. Y sus obras se alinean con las de artistas contempor\u00e1neos como <a href=\"https:\/\/www.nicolemarroquin.com\/\">Nicole Marroqu\u00edn<\/a> y <a href=\"https:\/\/favianna.com\/\">Favianna Rodr\u00edguez<\/a>, quienes tambi\u00e9n han utilizado el grabado para defender los derechos de los migrantes.<\/p>\n<p>En su nueva exposici\u00f3n en <a href=\"https:\/\/www.latinoartsinc.org\/exhibits\/carlos-barberena-i-have-been-a-stranger-in-my-own-land\/\">Milwaukee's Latino Arts Inc., \"He sido un extra\u00f1o en mi propia tierra\".<\/a>(he sido un extra\u00f1o en mi propia tierra), Barberena muestra una serie reciente de grabados que resaltan la importancia de los trabajadores esenciales. Tambi\u00e9n se exhiben obras que consideran las decisiones dif\u00edciles que las personas deben tomar al abandonar sus pa\u00edses de origen.<\/p>\n<\/div>\n\n\n\n<div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"fade-in\"  style=\"margin-top: 3%; margin-bottom: 3%; \">\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img decoding=\"async\" class=\"img-with-animation skip-lazy\" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"https:\/\/borderlessmag.org\/wordpress\/wp-content\/uploads\/2021\/12\/Carlos-headshot-by-Izaac-Guzman-684x1024-1.jpg\" alt=\"\"  \/>\r\n         <\/div>\r\n      <\/div><span class=\"vc_figure-caption ccfic-text media-caption\">Retrato de Carlos Barberena.<\/span><span class=\"media-credit\">Foto de Izaac Guzman<\/span><\/div><\/div>\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<p>Borderless Magazine habl\u00f3 con el artista sobre su nueva exposici\u00f3n y su trayectoria hacia el arte del grabado.<\/p>\n<p>Nac\u00ed en Granada, Nicaragua. Hay muchos artistas ah\u00ed: poetas, pintores, cantantes. Crec\u00ed en este entorno, yendo a la casa de mi abuela con m\u00fasicos y poetas que estaban de visita, y teniendo conversaciones culturales. Tengo dos hermanos que tambi\u00e9n son artistas, as\u00ed que al crecer en ese entorno, fue muy natural para m\u00ed empezar a dibujar. Cuando mi mam\u00e1 se dio cuenta de que yo era otro artista, me envi\u00f3 a una escuela cultural popular.<\/p>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf46278f\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row article-image\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"fade-in\" >\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img decoding=\"async\" class=\"img-with-animation skip-lazy\" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"https:\/\/borderlessmag.org\/wordpress\/wp-content\/uploads\/2021\/12\/Rio-San-Juan.-Nicaragua-Costa-Rica-Border-1024x768-1.jpg\" alt=\"\"  \/>\r\n         <\/div>\r\n      <\/div><span class=\"vc_figure-caption ccfic-text media-caption\">Carlos Barberena, R\u00edo San Juan, 1990, Frontera entre Nicaragua-Costa Rica, pluma y tinta sobre papel<\/span><\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf46336d\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-8 wpb_column column_container vc_column_container col padding-3-percent inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<p>Los finales de los setenta y principios de los ochenta fueron una \u00e9poca de revoluci\u00f3n. El arte en la escuela era muy conservador, recuerdo que estaba dibujando una botella. Mis hermanos estaban en la escuela nacional de bellas artes en Managua y estaban experimentando con el cubismo, entonces dibuj\u00e9 la botella con ese estilo y el instructor rompi\u00f3 mi dibujo. Dijo: \"No tienes talento. No s\u00e9 qu\u00e9 est\u00e1s haciendo aqu\u00ed \". Ten\u00eda 10 a\u00f1os. Yo estaba como, 'ya no quiero tocar un l\u00e1piz en mi vida'. Sent\u00ed mucha frustraci\u00f3n.<\/p>\n<p>Despu\u00e9s de la guerra civil y con el embargo de Estados Unidos en Nicaragua, mi mam\u00e1 dijo: \"Tienes que irte\". Ten\u00eda 13 a\u00f1os y fui a Costa Rica para la escuela secundaria. Empec\u00e9 a darme cuenta de todas las cosas que sienten los inmigrantes: xenofobia, discriminaci\u00f3n, que eres un criminal, que est\u00e1s quitando nuestros trabajos. Empec\u00e9 a tratar de juntar todos esos sentimientos de alguna manera. Volv\u00ed a encontrar el arte.<\/p>\n<\/div>\n\n\n\n<div id=\"fws_69eaadf463cae\" data-midnight=\"\" data-column-margin=\"default\" class=\"wpb_row vc_row-fluid vc_row inner_row\"  style=\"\"><div class=\"row-bg-wrap\"> <div class=\"row-bg\" ><\/div> <\/div><div class=\"row_col_wrap_12_inner col span_12  left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col child_column no-extra-padding inherit_tablet inherit_phone border_bottom_desktop_1px border_color_000000 border_style_solid\"   data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_sep_color_black wpb_content_element vc_separator-has-text\" ><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><h4 id=\"read-more-of-our-coverage\">M\u00e1s informaci\u00f3n<\/h4><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\n<\/div>\n<div class=\"wpb_text_column wpb_content_element\" >\n\t\t\t<div class=\"pk-inline-posts\">\n\t\t\t\n\t\t\t<div class=\"pk-inline-posts-container pk-inline-posts-template-list\"\n\t\t\t\tdata-columns=\"1\">\n\t\t\t\t\t\t<article id=\"post-5878\" class=\"post-5878 post type-post status-publish format-standard has-post-thumbnail category-as-told-to tag-femme\">\n\t\t\t<div class=\"pk-post-outer\">\n\n\t\t\t\t\t\t\t\t<div class=\"pk-post-inner\">\n\t\t\t\t\t<div class=\"entry-thumbnail\">\n\t\t\t\t\t\t<div class=\"pk-overlay pk-overlay-ratio pk-ratio-landscape\">\n\t\t\t\t\t\t\t<div class=\"pk-overlay-background\">\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/borderlessmag.org\/es\/2021\/05\/13\/how-a-femme-liberation-collective-is-practicing-community-care\/\" class=\"pk-overlay-link\">\n\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/borderlessmag.org\/wordpress\/wp-content\/uploads\/2021\/05\/20210409_FemmeDefensa_059_featured.jpg\" class=\"attachment-pk-thumbnail size-pk-thumbnail wp-post-image\" alt=\"g\u00e9nero, violencia, dom\u00e9stica, femme, Little Village, Chicago, Pilsen, comunidad, cuidado, protecci\u00f3n, supervivientes, inmigrante, fuerza, seguridad, alimentos , vivienda, huerto, Granja La Ruda, Femme Defensa\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t<div class=\"pk-post-inner\">\n\t\t\t\t\t<header>\n\t\t\t\t\t\t<h3 class=\"pk-title\"><a href=\"https:\/\/borderlessmag.org\/es\/2021\/05\/13\/how-a-femme-liberation-collective-is-practicing-community-care\/\" rel=\"bookmark\">C\u00f3mo un colectivo de liberaci\u00f3n femenina practica la atenci\u00f3n comunitaria<\/a><\/h3>\t\t\t\t\t\t\t<div class=\"pk-post-meta\">\n\t\t\t\t\t\t\t\t<span class=\"pk-meta-author meta-author\"><span class=\"author vcard\"><a class=\"url fn n\" href=\"https:\/\/borderlessmag.org\/es\/author\/april-alonso\/\" title=\"Ver todas las entradas de April Alonso\">Abril Alonso<\/a><\/span><\/span>\t\t\t\t\t\t\t\t<span class=\"sep\">-<\/span>\n\t\t\t\t\t\t\t\t<span class=\"pk-meta-date meta-date\"><a href=\"https:\/\/borderlessmag.org\/es\/2021\/05\/13\/how-a-femme-liberation-collective-is-practicing-community-care\/\" rel=\"bookmark\">13 de mayo de 2021<\/a><\/span>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/header><!-- .entry-header -->\n\t\t\t\t<\/div><!-- .post-inner -->\n\n\t\t\t<\/div><!-- .post-outer -->\n\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\n<\/div>\n\n\n\n\n\t\t<\/div> \n\t<\/div>\n\t<\/div> \n<\/div><\/div><div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"fade-in\"  style=\"margin-top: 3%; margin-bottom: 3%; \">\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img decoding=\"async\" class=\"img-with-animation skip-lazy\" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"https:\/\/borderlessmag.org\/wordpress\/wp-content\/uploads\/2021\/12\/Anguish-881x1024-1.jpg\" alt=\"\"  \/>\r\n         <\/div>\r\n      <\/div><span class=\"vc_figure-caption ccfic-text media-caption\">Carlos Barberena, Angustia \/ Anguish, 1995, pluma y tinta sobre papel<\/span><\/div><\/div>\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<p>Mi hermano vio mis dibujos y dijo: \"Podr\u00edamos vender estos\". Fuimos a una galer\u00eda en un hotel, donde una mujer vend\u00eda souvenirs y le gustaron mis dibujos. Empec\u00e9 a producir cada vez m\u00e1s. Siempre fue en parte porque quer\u00eda mostrarle a la gente qui\u00e9nes son los nicarag\u00fcenses. Debido a que me mud\u00e9 de Nicaragua, tuve que encontrar mis propias ra\u00edces e historia. Hice un cartel sobre los pesticidas que est\u00e1n prohibidos en Estados Unidos, pero Estados Unidos los vende a Centroam\u00e9rica. Una organizaci\u00f3n de derechos laborales llamada ASEPROLA me invit\u00f3 a presentar un cartel sobre los derechos de los trabajadores en las plantaciones bananeras de Costa Rica y el impacto de los pesticidas en el medio ambiente. Mi propuesta gan\u00f3 y la organizaci\u00f3n alemana de comercio justo GEBANA imprimi\u00f3 5.000 carteles para recaudar fondos para los derechos de los trabajadores en Costa Rica.<\/p>\n<p>Despu\u00e9s de dibujar, pint\u00e9 durante varios a\u00f1os y mi trabajo empez\u00f3 a cambiar de nuevo. Fue m\u00e1s pol\u00edtico, m\u00e1s sobre la historia de mi pa\u00eds. Llevaba siete a\u00f1os fuera de Nicaragua y decid\u00ed volver y trabajar ah\u00ed.<\/p>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t<div class=\"wpb_widgetised_column wpb_content_element\">\n\t\t<div id=\"sidebar\" data-nectar-ss=\"true\" class=\"wpb_wrapper\">\n\t\t\t<div id=\"custom_html-4 1articleright\" class=\"widget_text widget widget_custom_html\"><h3 id=\"wordpress-popular-posts\" class=\"widget-title\">Entradas populares de WordPress<\/h3><div class=\"textwidget custom-html-widget\"><h4 id=\"trending-posts\" class=\"widget-title\">Tendencias<\/h4><div class=\"wpp-shortcode\"><script type=\"application\/json\" data-id=\"wpp-shortcode-inline-js\">{\"title\":\"Trending Posts\",\"limit\":\"3\",\"offset\":0,\"range\":\"custom\",\"time_quantity\":\"124\",\"time_unit\":\"day\",\"freshness\":\"1\",\"order_by\":\"views\",\"post_type\":\"post\",\"pid\":\"\",\"exclude\":\"\",\"cat\":\"\",\"taxonomy\":\"category\",\"term_id\":\"\",\"author\":\"\",\"shorten_title\":{\"active\":false,\"length\":0,\"words\":false},\"post-excerpt\":{\"active\":false,\"length\":0,\"keep_format\":false,\"words\":false},\"thumbnail\":{\"active\":true,\"build\":\"predefined\",\"width\":\"240\",\"height\":\"160\"},\"rating\":false,\"stats_tag\":{\"comment_count\":false,\"views\":false,\"author\":false,\"date\":{\"active\":false,\"format\":\"F j, Y\"},\"category\":false,\"taxonomy\":{\"active\":false,\"name\":\"category\"}},\"markup\":{\"custom_html\":true,\"wpp-start\":\"&lt;ul class=&quot;wpp-list wpp-cardview&quot;&gt;\",\"wpp-end\":\"&lt;\\\/ul&gt;\",\"title-start\":\"&lt;h4 class=&quot;widget-title&quot;&gt;\",\"title-end\":\"&lt;\\\/h4&gt;\",\"post-html\":\"&lt;li&gt;{thumb} {title} {stats}&lt;\\\/li&gt;\"},\"theme\":{\"name\":\"\"}}<\/script><div class=\"wpp-shortcode-placeholder\"><\/div><\/div><\/div><\/div>\n\t\t<\/div> \n\t<\/div> \n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf468efc\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row article-image\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"fade-in\" >\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img decoding=\"async\" class=\"img-with-animation skip-lazy\" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"https:\/\/borderlessmag.org\/wordpress\/wp-content\/uploads\/2021\/12\/Poster-Award.-Banana-Plantations-in-Costa-Rica.-1993-1024x790-1.jpg\" alt=\"\"  \/>\r\n         <\/div>\r\n      <\/div><span class=\"vc_figure-caption ccfic-text media-caption\">Carlos Barberena, cartel de Ecolog\u00eda y Derechos Humanos en Plantaciones Bananeras de Costa Rica, 1993<\/span><\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf469ae8\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-8 wpb_column column_container vc_column_container col padding-3-percent inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<p>En 1999, cre\u00e9 una serie llamada \"A\u00f1os de Miedo \/ Years of Fear\". Fue una reflexi\u00f3n sobre los efectos que tiene la guerra en los seres humanos, en la psique. Mi pa\u00eds pas\u00f3 de una dictadura, de la familia Somoza que gobern\u00f3 el pa\u00eds durante 45 a\u00f1os, a una revoluci\u00f3n. Despu\u00e9s de las guerras civiles, tuvimos el embargo, tuvimos a los Contras patrocinados por Estados Unidos. Toda esta gente muriendo por nada. Fue un desaf\u00edo porque nadie quer\u00eda hablar de eso. Mis contempor\u00e1neos estaban haciendo un trabajo m\u00e1s comercial.<\/p>\n<p>Me invitaron a hacer una residencia en M\u00e9xico en 2007. Era mi primera vez en la gran ciudad, con grandes museos. En el Museo Nacional de Arte (MUNAL), fui a una muestra de Jos\u00e9 Guadalupe Posada. Eso cambi\u00f3 todo para m\u00ed, ten\u00eda un trabajo que era una s\u00e1tira. Dije que pod\u00eda hacer eso, porque siempre tuve este problema con la gente que pensaba que mi trabajo era muy serio y deprimente. Ese fue el d\u00eda en que decid\u00ed trabajar con el arte de las grabaciones. Quer\u00eda ser como Posada. Regres\u00e9 a Nicaragua y, con uno de mis hermanos, comenc\u00e9 a viajar por Nicaragua, mostrando las t\u00e9cnicas que hab\u00eda aprendido en un centro cultural de mi ciudad natal, Casa de Los Tres Mundos. Esa fue la otra cosa que aprend\u00ed ah\u00ed, c\u00f3mo el grabado es siempre una comunidad de artistas que comparten. Todos est\u00e1n trabajando juntos.<\/p>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf46a9a3\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row article-image\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"fade-in\" >\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img decoding=\"async\" class=\"img-with-animation skip-lazy\" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"https:\/\/borderlessmag.org\/wordpress\/wp-content\/uploads\/2021\/12\/Inmigrantes.-Acrilico-y-Collage-sobre-Carton-2000-1024x704-1.jpg\" alt=\"\"  \/>\r\n         <\/div>\r\n      <\/div><span class=\"vc_figure-caption ccfic-text media-caption\">Carlos Barberena, Inmigrantes, 1999, de la serie \"A\u00f1os de Miedo\", acr\u00edlico sobre lienzo<\/span><\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf46b5bb\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-8 wpb_column column_container vc_column_container col padding-3-percent inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<p>Siempre me ha interesado la parte educativa. Despu\u00e9s de mudarnos a los Estados Unidos en 2008 y unirnos al Instituto Gr\u00e1fico de Chicago, comenzamos <a href=\"https:\/\/www.institutograficodechicago.org\/about-grabadolandia\">Grabadolandia<\/a> en 2013. Es un festival de grabado de tres d\u00edas abierto a la comunidad, que brinda oportunidades para que las personas aprendan sobre el grabado. Todo es gratis. Los artistas no tienen que pagar ninguna tarifa. Pueden vender su trabajo all\u00ed, les pedimos que tengan un trabajo asequible para que todos puedan llevarse el arte a casa, y hacen una demostraci\u00f3n. Siempre es sorprendente ver a los ni\u00f1os jugar con los sellos y aprender sobre ellos.<\/p>\n<p>Mi forma de trabajar es que empiezo con una idea y una imagen de referencia, como una fotograf\u00eda, y dibujo sobre un trozo de lin\u00f3leo o madera, haciendo mi propio dise\u00f1o. Luego corto alrededor de esas l\u00edneas. Con el grabado, debido a que tiene m\u00faltiples copias, puede llegar a m\u00e1s personas. La gente siempre dice que es una t\u00e9cnica m\u00e1s democr\u00e1tica, y lo es, porque esa pieza podr\u00eda estar en un museo, en una galer\u00eda, en las calles, en una camiseta al mismo tiempo. Esa es la parte maravillosa del grabado.<\/p>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf46c45d\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row article-image\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"fade-in\" >\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img decoding=\"async\" class=\"img-with-animation skip-lazy\" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"https:\/\/borderlessmag.org\/wordpress\/wp-content\/uploads\/2021\/12\/Cutting-process-of-a-linoleum-block.jpg\" alt=\"\"  \/>\r\n         <\/div>\r\n      <\/div><span class=\"vc_figure-caption ccfic-text media-caption\">Carlos Barberena corta un bloque de lin\u00f3leo, The Four Horsemen of the Apocalypse (after D\u00fcrer), (los cuatro jinetes del Apocalipsis (despu\u00e9s de Durero)) para su serie \"Master Prints\" (impresiones maestras).<\/span><span class=\"media-credit\">Foto cortes\u00eda de Carlos Barberena<\/span><\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf46d0fe\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-8 wpb_column column_container vc_column_container col padding-3-percent inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<p>El programa en Milwaukee se centra principalmente en la inmigraci\u00f3n y los problemas que empujan a las personas a abandonar sus propios pa\u00edses, como las dictaduras o la violencia en su pa\u00eds. Es un reflejo de los ciclos de represi\u00f3n y resistencia, y la relaci\u00f3n de la resistencia con la di\u00e1spora. La gente siempre ha estado viniendo aqu\u00ed y buscando el Sue\u00f1o Americano.<\/p>\n<p>Mi serie \"Essential: For your colonizer comfort\" (esencial: para la comodidad de su colonizador), que se exhibe, honra a los trabajadores agr\u00edcolas, la mayor\u00eda de los cuales son indocumentados, y crea conciencia sobre por qu\u00e9 son \"trabajadores esenciales\". La poblaci\u00f3n estadounidense y el gobierno federal los etiquetaron como \"esenciales\" en el contexto de COVID, un supuesto honor por su centralidad en el sistema alimentario, mientras que hacen poco para aliviar su falta de derechos b\u00e1sicos y vulnerabilidad a la explotaci\u00f3n y la deportaci\u00f3n inminente.<\/p>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf46dfb8\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row article-image\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"fade-in\" >\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img decoding=\"async\" class=\"img-with-animation skip-lazy\" data-delay=\"0\" height=\"100\" width=\"100\" data-animation=\"fade-in\" src=\"https:\/\/borderlessmag.org\/wordpress\/wp-content\/uploads\/2021\/12\/Strawberry-Fields-716x1024-1.jpg\" alt=\"\"  \/>\r\n         <\/div>\r\n      <\/div><span class=\"vc_figure-caption ccfic-text media-caption\">Carlos Barberena, Strawberry Fields, 2020, de la serie \"Essential\", linograbado en bolsa de compras<\/span><\/div><\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf46ebdd\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-8 wpb_column column_container vc_column_container col padding-3-percent inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n<div class=\"wpb_text_column wpb_content_element\" >\n\t<p>Las personas est\u00e1n trabajando m\u00e1s de 12 horas seguidas y no reciben ning\u00fan cheque del gobierno porque son indocumentadas. Vamos al supermercado, compramos la comida, pero no pensamos en la gente que trabaja all\u00ed. Quiz\u00e1s no podamos ver directamente a los trabajadores agr\u00edcolas aqu\u00ed en Chicago. Pero somos parte de esta cadena alimentaria.<\/p>\n<p>En los \u00faltimos cuatro a\u00f1os, he estado escuchando este discurso de odio contra los inmigrantes en todas partes, que simplemente estamos aqu\u00ed y no hacemos nada. Mi arte es una forma de decir: \"Estamos aqu\u00ed y nos vamos a quedar, les guste o no. Le estamos dando a este pa\u00eds, pero no estamos recibiendo los mismos frutos que el resto\". Mi trabajo puede contribuir un poco a la causa.<\/p>\n<p><em><a href=\"https:\/\/www.latinoartsinc.org\/exhibits\/carlos-barberena-i-have-been-a-stranger-in-my-own-land\/\">\"Carlos Barberena: He sido un extra\u00f1o en mi propia tierra<\/a>\" est\u00e1 a la vista en Latino Arts Inc. hasta el 11 de marzo de 2022.<\/em><\/p>\n<p><em>Traducido por Claudia Hern\u00e1ndez<\/em><\/p>\n<\/div>\n\n\n\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-2 vc_hidden-sm vc_hidden-xs wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf46fa7b\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-12 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\n\t\t<div id=\"fws_69eaadf4702f7\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row vc_row-o-equal-height vc_row-flex bottom-links\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-8 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t<div class=\"wpb_widgetised_column wpb_content_element\">\n\t\t<div id=\"sidebar\" data-nectar-ss=\"\" class=\"wpb_wrapper\"><h2 id=\"related-stories\" class=\"wpb_heading wpb_widgetised_column_heading\">Historias relacionadas<\/h2>\n\t\t\t\n\t\t<\/div> \n\t<\/div> \n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-4 wpb_column column_container vc_column_container col no-extra-padding inherit_tablet inherit_phone\"  data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\n\t<div class=\"wpb_widgetised_column wpb_content_element\">\n\t\t<div id=\"sidebar\" data-nectar-ss=\"\" class=\"wpb_wrapper\"><h2 id=\"recent-stories\" class=\"wpb_heading wpb_widgetised_column_heading\">Historias recientes<\/h2>\n\t\t\t\n\t\t<\/div> \n\t<\/div> \n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Antes de su nueva exposici\u00f3n en Milwaukee, el artista que actualmente reside en Chicago habla sobre su trabajo y la democracia radical del arte del grabado. <\/p>","protected":false},"author":90,"featured_media":9332,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[28],"tags":[],"coauthors":[302],"class_list":{"0":"post-8500","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-as-told-to"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>The Printmaker Humanizing Immigrant Stories &#8211; Borderless Magazine NFP<\/title>\n<meta name=\"description\" content=\"Antes de su nueva exposici\u00f3n en Milwaukee, el artista que actualmente reside en Chicago habla sobre su trabajo y la democracia radical del arte del grabado.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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